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Matt needs to bond the tank together but is having problems with materials and temperatures.
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Nuno Lopes won a Best Actor prize at Venice for his powerhouse portrayal of an unemployed ex-boxer who becomes a debt collector during Portugal's economic crisis.

Saint George marks a winning reunion for director Marco Martins and Nuno Lopes, the star of Martins' Cannes award-winning Alice (2005). It's 2011, a year of extreme austerity and apocalyptic levels of public and private debt. Martins sets the scene with vivid images of Portugal in economic and social despair. Jorge (Lopes) is a penniless former boxer whose estranged wife is threatening to return to Brazil with their young son. His only option is to work for a debt collection agency that employs much more than polite persuasion to get results. Lopes delivers a memorable performance as a fighter who always left his aggression in the ring but must now find it, or risk losing everything.

But after a spellbinding two hours spent in the company of Martins' beautiful film, starring Nuno Lopes and Mariana Nunes, São Jorge will hereafter only be known as a masterpiece, to yours truly. A cinematic feast that, with little fanfare and a lot of heart, keeps the viewer glued to his or her chair for just under two hours. – E. Nina Rothe, The Huffington Post

Lopes really sells his determined but torn and silent but conflicted character. – Boyd van Hoeij, The Hollywood Reporter

Supported by University of New South Wales, Sydney

The 64th Sydney Film Festival – 7-18 June 2017

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Het Stedelijk Museum presenteert vanaf 27 februari 2015 de tentoonstelling Het Stedelijk in de Oorlog. De presentatie is opgebouwd met werk uit de eigen collectie en bevat uniek, niet eerder vertoond beeldmateriaal om deze uitzonderlijke tijd voor Nederland en het Stedelijk museum te belichten. In de tentoonstelling komen vijf verhaallijnen samen.
‘De jaren dertig: kunst op de vlucht’, ‘Een bunker ter bescherming van de kunst’, ‘Het museum in oorlogstijd’, ‘direct na de oorlog’, en ‘Herkomstonderzoek’. Zeventig jaar na het einde van de Tweede Wereldoorlog is het tijd om al deze verhalen in samenhang te tonen en van context en kritische analyse te voorzien. Niet om het verhaal af te sluiten; integendeel, de collectie en de verhalen daaromheen sporen aan tot vertellen en het presenteren van wat we weten en wat we hebben, om te laten zien wat we niet weten en wat er verloren is gegaan, om recht te doen aan de geschiedenis en te inspireren tot verder onderzoek.
Meer info: http://bit.ly/1vjGf9k

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ENGLISH

In the year of the 70th anniversary commemorations of Dutch liberation, the Stedelijk presents The Stedelijk Museum in the Second World War. The presentation is structured around work from the museum collection, accompanied by unique, previously unseen visual material. The results of the Stedelijk’s provenance research are also included, clearly presented and placed within a context. The exhibition brings together five fascinating storylines: Art in exile, A bunker to protect art, the museum in wartime, after the war and provenance research.
More info; http://bit.ly/1DNPjET